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Home » Culture » Blasted Oak

Blasted Oak

|Culture

Solid, strong, and enduring, the heroic oak spreads expansively in all directions, steadily growing an imperial command of the landscape. All the more sublime, then, when such a tree is struck by lightning. Stark in its isolation and bearing the deep scars of violence, the “blasted oak” evokes the melancholy of blighted glory and death. In Western literature since Virgil, the thunder-rent quercus emblematises the decline of the imperial conqueror. John Dryden’s Antony, for instance, imagines himself “stretch’d . . . beneath some blasted oak,” liberated from his duty to Rome and free suffer the pyrotechnics of his love affair with Cleopatra.

These sketches by JMW Turner and others implicitly refer to this imaginative history of the imperial oak. Visually recalling the crooked path of the lightning bolt, the splintered contours of the remnant trees capture the aftermath of overriding passion and shattered ambition. Grim and sparse, these Romantic depictions of the blasted oak emphasise loss and trauma as well as the naked beauty of ruin.

Blasted Oak© Tate: Cornelius Varley, 1803, Study of a Tree. Verso: Sky Study

Blasted Oak© Tate: Mountainous Landscape with a Blasted Tree, c.1803 John Sell Cotman

Blasted Oak© Tate: A Blasted Oak, c.1821, Joseph Mallord William Turner

For a closer look, all three artworks above can be viewed by appointment at the Tate Britain’s Prints and Drawings Rooms.

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Anna Deters

About the author

Anna Deters

Anna Deters is an independent writer with a doctoral degree in eighteenth-century British literature. After years living in Amsterdam, Turin, St. Louis, and Seattle, she now happily resides in London.

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